Inktober 2019 Conclusion

Oops, pretty late on this one! Another year of #Inkotber has come and gone.

This is my 5th year participating, but only my 3rd year actually managing to make a new painting for nearly the whole month. I usually burn out somewhere in the last week or am too busy with the influx of holiday portrait commissions to be able to finish, but I’m always glad to have participated.

This year, as anticipated, I crashed and burned near the end with the incoming commissions. But I did make a few pieces I’m really proud of, and really solidified a style I enjoy working in.

The fox painting below has already sold, and I was honestly a little heartbroken to part with it. It’s one of those pieces I keep looking at and I can’t believe I made it. Real proud of it for now, so I’m probably going to make a print to hang on my wall.

I also got pretty obsessed with the purple/orange/black palette I ended up using. Still on a roll with it, and trying to incorporate some more colors into it.

The main four colors I used for it are Dioxazine purple, Mauve, Cadmium Orange Hue, and Payne’s Grey. Then obviously black ink along with them.

A little tip I discovered (which is honestly probably common sense to you if you use ink frequently), is that you can clean a plastic ink palette really well with rubbing alcohol!

My palette has been stained and building up ink for like 5 years now and I didn’t want to throw it out, but I couldn’t see what colors. Was actually mixing in it. Then I realized if I clean my dip-pen nibs with rubbing alcohol, why the hell would I not try that on my palette?!

Works like a charm. Except for the areas that had the least diluted ink. Those are pretty caked on, but at least now I can actually see what I’m mixing. I hope that tip can help someone!

That’s all I’ve got for now. Most of my original Inktober paintings can be found in my Etsy shop, and I’m working on making prints of the few that people requested on Instagram. Now, onward to the holiday shop rush!

Thanks for reading, and stay warm! ❤

Lots of Commissions After a Slow June

Business was painfully slow in June, but luckily picked up for the month of July. Mostly painted pet portraits (my favorite!), but I did get some fun new inquiries as well. My favorite commission this month, was painting an animal in a glass bottle with a detailed background.

I love designing unique bottles for the animals I paint in them, but it’s something I hadn’t done in a while. The client was super lovely to work with. She asked for a fairly detailed swamp-like setting, which I was a bit nervous about at first as I don’t often paint detailed scenes. It turned out to be a fun challenge, though, and we were pleased with the result.

Process of painting a watercolor, bottled salamander in a swamp

Painting stages

Another unique commission I’m currently working on, is painting a snowy evergreen scene for a local client. Lots of backgrounds this month so it’s been good practice. Got clearance yesterday to go ahead and start painting the sketch, so I’ll be sure to post some progress shots later.

Between working and waiting for approval of various stages of paintings, I’ve just been working on filling in some gaps in my portfolio. I’d like to continue painting animals, but I’d really like to paint more food and just general…non-animal things as well. Admittedly, it’s been more difficult than I thought to adapt my style to other subjects. Hopefully some pieces will actually be making the cut soon. Always a work in progress~

As always, thanks for reading and I hope you have a lovely week! 🙂

How to Paint with a Limited Color Palette

A questions I’m often asked is; “How do you choose colors/make stuff so colorful??”

how to use limited color palette watercolor painting

I figured I’d finally address this where I can write a lengthy explanation that I can direct people towards. So if you really want to know specifically, keep reading. TLDR? Very carefully.

(Also, I made a video explaining it too! I do drop some f-bombs, though, so be warned!)

I have always loved bright and colorful things and art or objects with a pleasing color scheme. Especially analogous color schemes with the one offbeat color that stands out real nice. I was also mystified for the better part of 10 years on how to use colors in such a way. I want all the colors, but am then immediately overwhelmed by them. Now don’t get me wrong, I’m far from mastery on this and will likely never achieve it, but I’ve finally found a good starting point to work from.

Pick 3 colors and stick to them.

I mean it. No others until you’re confident with those 3 together.

Pick three colors you really like and force them to play nice. Easy route? Primary colors. Easy route with a slight twist and totally different aesthetic? Pink, yellow and blue. I find these the easiest to start out with (like how they teach you primary colors in kindergarten). But don’t mix them and make extra colors just yet. Try using these colors alone in different ratios on a painting. Pick one thing to paint and replace all the dark colors with blue, for example. The mid-tone values can be replaced with pink, and the lighter tones with yellow.

Once you get a sense of how the colors are working, you can start darkening/lightening or saturating/de-saturating each shade. Then slowly incorporate more colors as you go. For this piece, I ended up mixing the pink and blue to make a purple color for the rocks and shadows. I also added Payne’s grey to get a much darker, but still harmonious, blue tone for the darkest parts of the fox (eyes and nose). Don’t be afraid to try again a few more times if it didn’t turn out well the first time.

There are sooooo many different looks you can achieve based on different proportions of just those three colors alone. Maybe try dialing one color back a bit and adding more of another. Choosing colors becomes more and more intuitive with each piece you make. Trial and error is the name of the game here. Once you become super comfortable (like, uncomfortably comfortable) with this trio, start adding different colors or swapping one out for something totally different.

I filmed the painting process of this piece and narrated it. Once I’ve finished editing & uploading the video, I’ll link it here. Just in case you want to hear my rambling instead of reading it.

Video Process

I’ll be making a follow up video and blog post in the future about how to choose weird colors and force those to be friends later (featuring acrylics). Hopefully I’ll get better at explaining things, too. If there’s something I missed or I can improve on, or if you just have more questions let me know!

Materials used in this painting:

  • Winsor & Newton Watercolors (Cotman series) in Permanent Rose, Yellow Ochre, Cobalt Blue and Payne’s Grey.

  • Strathmore 400 Series watercolor paper

  • Winsor & Newton Cotman Brushes (the blue ones) and Princeton Elite (?) brushes (the black ones)

I hope this was helpful to you, and thank you much for reading! 🙂

Now go forth and make shit colorful!

Illustrating a Cookbook & Self-Initiated Projects

It’s a good feeling to actually want to wake up 2 hours early to get some extra painting time in before work. Soooo much can be accomplished in that two hours, and it makes me that much more excited to get home and pick up where I left off!

Self-initiated projects are a great way to continue working on your portfolio between commissions. Sometimes it’s really hard jumping from one painting to the next or feeling burnt out from the decision fatigue of what to paint next. Creating a larger project gives you a list to work at each day.

Currently, I’m working on illustrating all of my boyfriend’s favorite recipes. I was collecting and re-typing some of the worn out and scattered pages one day, I thought of this, then wanted to smack myself for not coming to this decision sooner. Hoping to be able to finish the first 15 recipes in time to print a mini booklet by early December!

Here are a few ingredient illustrations: